Jack Symonds
Pierce Wilcox
Carriageworks & Sydney Chamber Opera
13 Aug - 20 Aug 2016
Anyone but the most daring Dada-ist would typically read Notes from Underground from start to finish. This adaptation was built to use the live stage to its fullest and present the novel’s two halves simultaneously.
The Underground Man’s diatribe no longer tumbles ‘from empty into void’. Instead, it is anchored to the unfolding action of his Aboveground self. His existential manifesto becomes a bitter commentary. The libretto’s structure identifies resonances across the novel’s two sections – moments where the paralysed reflections of Underground and frustrated energy of Aboveground can balance, illuminate or undermine the other’s beliefs. Having the two together on stage allows the work an equilibrium between talk and action; one alone is no story worth telling. Liza is the novel’s only female presence, and her encounter with Aboveground is the centrepiece of the ‘Wet Snow’ story. She is a character born of another genre, the sentimental narrative of the rescued prostitute, and so we chose to give her the only text not by Dostoevsky. In Scene 4 she sings a poem by N.A. Nekrasov from 1845 which Dostoevsky quotes as the epigraph to ‘Apropos of the Wet Snow.’
Further information about Composer Jack Symonds and Librettist Pierce Wilcox can be found on the Australian Music Centre website.
'Aboveground' Man
Brenton Spiteri
'Underground' Man
Simon Lobelson
Liza
Jane Sheldon
Simonov/Officer
Drew Wilson
Trudolyubov
Gautier Pavlovic-Hobba
Ferfichkin
Oleg Pupovac
Zverkov
Kyle Kazmirzik
Apollon
George Kemp
Conductor
Jack Symonds
Director
Patrick Nolan
Set & Costume Designer
Genevieve Blanchett
Lighting Designer
Nicholas Rayment
Choreographer
Cloé Fournier
Video Design
Boris Bagattini